Tuesday, September 13, 2011

Working Proposal


In the book Afro Creole by Richard Burton;  the author describes the yard (land) space as an “institution capable of binding together nuclear family units and an extended family network in a single social space and physical space…The yard is an extension of the house, just as the house is the living core of the yard; the outer limits of the yard came to represent the outer walls of the house itself”…land is to be handed down to children and children’s children, till every generation “dead out” …family land is the spatial dimension of the family line, reflecting its continuity and identity”. It is from this point that my investigation begins, questioning the consequences that result when the family unit experiences fragmentation through the process of immigration. What happens when your cultural identity is intrinsically tied to the home? What happens when that home disappears?
            After emigrating 5 years ago, I slowly realized how land played an integral role in the warp and weft of my familial narrative; it wasn’t until the discovery of destroyed family photographs that the analysis of this rupture and its impact on my family structure became pertinent in my investigation. Using the water damaged photographs as a point of departure; through experimentation and exploration I will attempt to re-assemble these misplaced parts to reconstitute a new plane. Using collage, the pieces created thus far resemble geological features but become more as they stand in as representations of my family members. Working with the family as the central subject matter, I am exploring how this cultural mindset could be transferred to an imaginary landscape where the human form and the territory are unable to be fractured.



             

2 comments:

Yolene Grant said...

Other questions that i am considering throughout the process of this project.

What happens when the photograph no longer protected by frame or glass moves from the confines of the two dimensional and is placed within the third? How does this recontextualization affect the photograph?

What laws now govern its being when caught in the midst of its " illusory potential" but now also "subscribes to the weight of the sculpture"?

Leslie Hewitt artist statement.
Hewitt, Leslie. "Leslie Hewitt : Contact." Leslie Hewitt : Context. Leslie Hewitt. Web. 13 Sept. 2011. .

angelinfrias said...

YOLENE,
By reading your proposal an idea came to my mind.
You mentioned that you are exploring the idea of how "this cultural mindset could be transferred to an imaginary landscape" and the idea of maybe forming or creating some sort of form with those pieces of photographs instead of mounting them separately. who knows? it can turn out to be a beautiful piece of art, a collection of memories and at the same time a representation of the imaginary landscape or your homeland....
It is just an idea. Your argument and concept is very strong and any path you choose to project it I am sure it will turn out to be awesome!
-Angelin Frias

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